The OC Spoilers and Speculation #54

[azuline]

We do not want to spread "foilers," but with The OC's growing popularity, both reliable and unreliable sources will continue to come forward with spoilers for upcoming episodes. These spoilers will be marked as UNCONFIRMED until they are confirmed by a reliable and/or official source.

New spoilers will be indicated by .

Please do not repost anything (including sides, pictures, etc) from this thread without crediting the source and providing a link back to this thread.

Also, do NOT ask us for links to download episodes. If you start any threads requesting links or add posts with the same request in any of the existing threads, be warned that your posts and/or threads will be edited or deleted at our discretion.

***

15. The Mallpisode

RYAN, MARISSA, SETH AND SUMMER HANG OUT IN THE MALL ON “THE O.C.” THURSDAY, MARCH 10, ON FOX

Billy Campbell and Johnny Messner Guest-Star

Lindsay's actions have left Ryan and Caleb confused. Marissa is trying hard to make her new living situation work, but she needs a break and agrees to join Summer, Seth and Ryan at the mall. Julie and Kirsten await the arrival of Carter, the new editor of Newport Living, but Julie is distracted when she's visited by Lance, an opportunistic man from her past. Meanwhile, Sandy and Caleb finally bond over all of their recent experiences on “The Mallpisode” episode of THE O.C Thursday, March 10 (8:00-9:00 PM ET/PT) on FOX. (OC-215) (TV-PG D)

Cast: Peter Gallagher as Sandy Cohen, Benjamin McKenzie as Ryan Atwood, Mischa Barton as Marissa Cooper, Rachel Bilson as Summer, Adam Brody as Seth Cohen, Kelly Rowan as Kirsten Cohen, Tate Donovan as Jimmy Cooper, Melinda Clarke as Julie Cooper, and Alan Dale as Caleb Nichol.

Guest Cast: Olivia Wilde as Alex; Shannon Lucio as Lindsay; Johnny Messner as Lance and Billy Campbell as Carter.

*





*

INT. NEWPORT GROUP – KIRSTEN'S OFFICE – DAY (D1)

Kirsten and Julie sit across from each other on the couches, magazine stuff spread out on the coffee tables in front of them.

KIRSTEN: Julie, do you really think we should have your photo on the cover every month? Maybe sometimes we could show Newport? A great house, or maybe the beach –-

JULIE: Then what's the incentive to buy the magazine? If people want to see the beach, they can just go there.

CARTER: And that would just be wrong...

Kirsten and Julie look up to see Carter Buckley, late 30's, both raffish and Ralphish (as in Fiennes), smart and sexy and dishevelled in all the right ways. Kirsten and Julie stand up and greet him.

KIRSTEN: Mr. Buckley? Hi. I'm Kirsten Cohen. This is Julie –-

JULIE: (icily) Cooper-Nichol. I'm the CEO of the Newport Group and founder of Newport Living.

CARTER: (shaking) Pleased to meet you both.

A beat as Julie eyeballs him suspiciously.

CARTER: Uh, is there some sort of problem?...

KIRSTEN: (jumping in) What Julie meant to say is that she's also pleased. To meet you.

JULIE: No I'm not. Sort of displeased, actually.

KIRSTEN: Julie…

Kirsten tries to smooth things over, but Julie has an agenda.

JULIE: Mr. Buckley? I don't know you, but I'm not going to lie to you. This magazine is about us -–

KIRSTEN: (holding up a cover photo) Really more about her -–

JULIE: And the people who aspire to be like us. We don't need some outsider coming in and telling us what to do. No offense.

CARTER: None taken. And if it's any reassurance, I don't want to be here anymore than you want me to be.

KIRSTEN: (confused) You don't?

JULIE: (snubbed) Why not? What's wrong with here?

CARTER: (shrugging) I just think the last thing the world needs is more ironically captioned photos of Tara Reid's boob and proclamations that mukluks are the new Uggs.

KIRSTEN: Our bar may be low, but it's not that –

JULIE: (aside to Kirsten) That's true about mukluks. Write that down.

CARTER: (smiling) Look –- this can be painless. You resent the publisher foisting me on your magazine? I resent being foisted. May this be the first of many things we have in common. (off their looks) We sit down together a couple times a week. You do whatever you want. And I collect my paycheck. Now… Who wants a cocktail?

Carter just smiles. Off Kirsten, considering –- what's the deal with this guy?

INT. RESTAURANT – NIGHT (N1)

BECK UP: "MISSING." Food's been cleared away. Carter pours Kirsten the last of the wine. The mood is relaxed. It's nice without Julie there. And Kirsten is happy to unwind.

KIRSTEN: So. An award winning editor. Far from home. Doesn't want to be here. Devoting the next six months of his life to launching Julie Coopers's vanity project? (beat, smiles) Who's got the naked photos?…

CARTER: (smiles) My publisher.

KIRSTEN: Oh, I was speaking metaphorically.

CARTER: I'm being quite literal I'm afraid. (off her look) I was drunk. Fell out of a tree. Technically, I was asleep in the tree -– that's why I fell out. But before I fell asleep… I was drunk. Very, very drunk.

KIRSTEN: And naked?

He smiles. She's charming, smart. Not like he expected.

CARTER: It's a long story. Well, a short story… about a long bender. I didn't like myself very much right then. Did my best to make sure that nobody else liked me either. (beat, still feeling the loss) I was in the middle of a divorce.

KIRSTEN: Oh, I'm sorry.

CARTER: (wryly) Why is it whenever I tell people I'm divorced, they act like I've just told them someone died?

KIRSTEN: It is a death of sorts…

CARTER: Guess that explains why I felt the need to hold a wake. (beat) How long you been divorced?

Kirsten's suddenly self-conscious. Is he looking at her in a different light? Or has he been looking at her like that this whole time.

KIRSTEN: Oh, no, no. I'm married. Very, very, deeply married. Why would you think? –

CARTER: You're not wearing a ring.

KIRSTEN: It's lost. I mean, not lost. I just misplaced it. For the moment. It'll turn up. (reassuring herself) I'm not worried.

Carter swallows the last of his wine, considers her.

CARTER: A strong statement, taking off your ring.

KIRSTEN: I was just planting geraniums -–

CARTER: Day I knew my wife didn't love me anymore? I found her ring next to the soap dispenser. She said she was scrubbing a casserole dish.

KIRSTEN: those casseroles can be bitch.

CARTER: So can my wife. (off Kirsten's look) Would've been a lot less painful if she'd just straight up told me.

KIRSTEN: (a little defensive) Well I don't have anything to tell my husband. Except that I love him. And our life.

Carter nods, fair enough. Gonna leave that one alone.

CARTER: Y'know, I don't think we've discussed the magazine once since Julie Cooper-Nichol left the building. I feel like we didn't accomplish our goal for the night.

KIRSTEN: I thought your goal was to get paid for nothing?

CARTER: (true, but --) I think I've been hasty in writing off this little burgh of yours. Newport Living is proving to be more interesting than I anticipated. (beat) How about we go back to the office and jot down a few ideas…?

KIRSTEN: Sure. Sounds good.

He rises, pulling out her chair, helps her on with her jacket. Their fingers touch for just a moment. Kirsten doesn't react, but as Carter turns to leave. We hold on Kirsten, watching him for just a beat.

*

From SpoilerFix:

A man named Lance Bradley drops by the Newport Group asking to see Julie... he claims he is a "blast from her past." Another man, this one named Griffin Conroy, also from Julie's past, comes to the office too. Julie and Griffin have a chat in a bar where she asks him what he's doing in Newport... could he want money so he doesn't reveal certain things from her past? It's the latter and he has it on tape! What could it be? Summer, Seth, Ryan, and Marissa go to a store (even if it's closed because it's Sunday) where they get clothes for a charity for women. An employee let them in but somehow they seem to end up being stuck in the mall with no way out (or maybe they just decide to stay there and have fun as long as possible... it's not clear). Alex appears in the episode.

***

[azuline]

16. The Blaze of Glory

TEMPERS FLARE ON "THE O.C." THURSDAY, MARCH 17, ON FOX

Seth is determined to bring back the spirit and fun times of last year and won't stop until his plan is fulfilled. Alex's jealousy is fueled when Marissa enlists an unlikely partner to help her with the school bonfire. Meanwhile, Kirsten wants Carter to stick with the magazine despite his reservations and Sandy helps Julie keep her blackmailer at bay on "The Blaze of Glory" episode of THE O.C. Thursday, March 17 (8:00-9:00 PM ET/PT) on FOX.

Cast: Peter Gallagher as Sandy Cohen, Benjamin McKenzie as Ryan Atwood, Mischa Barton as Marissa Cooper, Rachel Bilson as Summer, Adam Brody as Seth Cohen, Kelly Rowan as Kirsten Cohen, Tate Donovan as Jimmy Cooper, Melinda Clarke as Julie Cooper, and Alan Dale as Caleb Nichol.

Guest Cast: Olivia Wilde as Alex; Johnny Messner as Lance and Billy Campbell as Carter.

*

SANDY: I'm here to negotiate.

Lance steps aside. Sandy enters the room. Sitting on the edge of the bed, a tired hooker in a teddy.

HOOKER: Is this gonna be a three way, cuz my rate doubles.

LANCE: Why don't you grab some more smokes down the street? I got business.

The hooker crosses out. Sandy gives her a polite wave.

LANCE: You know the offer. Five hundred grand makes this thing go away.

SANDY: And you know that's not an offer. That's extortion. But she's willing to pay fifty thousand. Which could finance a handful of your masterpieces.

LANCE: Yeah, you need to add another zero to that offer. Otherwise -- this thing is streaming live on the internet in seventy two hours.

SANDY: You think anyone is gonna care?

LANCE: I think Julie will. Enough to save her magazine. Her marriage. And her image. And she's got some deep pockets these days...

A beat. Sandy nods...

SANDY: You'll be hearing from me.

LANCE: It's been a pleasure.

EXIT: ALEX'S APARTMENT -- NIGHT (N1)

Ryan and Marissa open the door... Heading out.

*

ACT FOUR:

FADE IN:

EXT. BEACH -- MAGIC HOUR/AKA JAMIE BARBER'S NIGHTMARE (D2)

Chaos. A dozen HArbor School volunteers scramble around with assorted tools, trying to assemble this wooden horse. A frame of the horse has been built. A student approaches Marissa, who's trying to run things...

STUDENT #1: Is this board for the hind legs, or the front? It's just labeled LEG.

MARISSA: Um, front I think.

STUDENT #1: Right or left?

MARISSA: Guess... Odds are fifty-fifty.

A female student approaches... notebook in hand.

STUDENT #2: Marissa, the horse's head seems to only fit the hind quarters, not the torso.

MARISSA: What are you saying? That this horse has its head up his ass?

STUDENT #2: What do we do? We're running out of time.

MARISSA: (wits end) I don't know okay? I'm not a structural engineer. I picked the font for the banner, and color coordinated balloons. This is not my area of --

And then from off screen:

RYAN'S VOICE: Maybe I can help.

Marissa turns, surprised to see Ryan walking up.

***

17. The Brothers Grim



A VISITOR FROM CHINO COMES TO "THE O.C." THURSDAY, MARCH 24, ON FOX

When Ryan's past comes for a visit, he is worried that nothing good can come of it. Meanwhile, the Cohen family has welcomed the visitor from Chino with open arms. Marissa and Ryan continue to explore their newfound friendship, while Seth and Summer face some unforeseen news. Meanwhile, Julie admits her mistake to Kirsten and looks to Caleb for help on "The Brother's Grim" episode of THE O.C Thursday, March 24

Guest Cast: Billy Campbell as Carter, Johnny Messner as Lance, Michael Cassidy as Zach, Jordan Baker as Elaine, and Logan Marshall-Green as Trey Atwood.

*


New Trey

*

INT. COHEN HOUSE - FOYER -- DAY (D2)

The front door opens. Sandy brings in Ryan and Trey. Preparations for the party are underway -- workers moving furniture, carrying glassware, etc.

SANDY: Well, this is the crib. (to Ryan) Crib, right?

Ryan nods. As Trey stops, looks around, in awe.

TREY: You gotta be kidding me.

A female party planner approaches Trey, carrying a clipboard.

PARTY PLANNER: Are you here to drop off the liquor?

SANDY: No, he's a guest, thank you. (to Trey) Sorry about the chaos. We're throwing a party tomorrow night.

TREY: (looking around) You guys have a lot of parties?

SANDY: We do. And they're almost never fun. Listen, Ryan, Trey should stay in the pool house. You can take the guest room.

RYAN: Sure, okay.

As Ryan leads Trey through the house...

TREY: Did he say "pool house"?

INT. COHEN POOL HOUSE -- DAY (D2)

Ryan shows Trey around

TREY: So this is where you've been living? Man, you got hooked up.

RYAN: Well, there are towels in the linen closet, and you can borrow whatever shower stuff you need.

TREY: Thanks. And sorry I'm kicking you out of your cabana-mansion.

RYAN: (says without thinking) Well, it's only for a few days.

A tense beat. That sounded bad.

TREY: Don't worry, I wont get too comfortable.

RYAN: Sorry, I didn't mean...

TREY: No look, I know I'm crashing your party here. But you got a good thing going. And I'm not gonna screw it up. I promise.

RYAN: (warily nods) Right. I guess you should take these.

Ryan hands him a set of keys.

RYAN: I'll see you later.

Ryan exits.

EXT. COHEN POOL HOUSE -- CONTINUOUS (D2)

Ryan stares at Trey through the glass, watching him unpack his few things, just as he did years ago. Off Ryan -- as he looks into a mirror from his past...

*

KIRSTEN: (feeling guilty) Oh, now's not a good time. He's up to his ears with the launch.

SANDY: Some other time then. I'll see you at home.

She nods. Kisses him on the cheek. Shuts the door. Off Sandy -- clocking something odd in his wife...

INT. CLOTHING STORE -- DAY (D2)

Trey, Marissa and Ryan are at the register. Trey finishes paying for his pile of clothes. As they head towards the door...

TREY: Man, am I tired.

MARISSA: Shopper's fatigue. Shop enough and you become immune. Trust me.

RYAN: If anyone would know...

The Sales Guy interrupts, approaching Trey.

SALES GUY: Excuse me. Can I check your bags?

TREY: Why? I didn't do anything wrong.

SALES GUY: We have the right to look through your bags. Just hand them over.

TREY: I see a lot of people in here with bags. I don't see you giving them a hard time.

MARISSA: He didn't take anything.

RYAN: (a little tense) Just give it to him, Trey.

TREY: Hey man, I'll handle this myself. (to Sales Guy) Why don't you get out of my face?

Trey, now in fighting mode, stares down the Sales Guy.

SALES GUY: (into his walkie talkie) Send someone to the front entrance.

TREY: Yeah, you know what? Don't bother.

Trey upends the bag of clothes on the floor right in front of the sales guy.

TREY: (furious) I paid for all of this.

Ryan takes Trey's arm. Marissa takes the other. They yank Trey towards the door... but Trey, looking back at the sales guy, rips out of their grasp --

RYAN: Trey --

-- and kicks over a display case. Marissa looks at Ryan. Terrified. Trey continues out the door. Off Ryan -- the old Trey is back.

*

INT. COHEN POOL HOUSE -- NIGHT (N3)

Ryan enters. Finds Trey sitting on the bed. Going through the want ads.

RYAN: (making an effort) Hey. How did the job hunting go today?

TREY: Not so good. Tried five or six places today -- they all turned me down on the spot.

RYAN: That sucks. (beat) Hey, you hungry? We could go grab some dinner. Catch up.

TREY: (appreciates this) That'd be great.

RYAN: Cool. (then, trying to joke around) Hey, this place is a pit. We have closets, you know.

Ryan picks up a shirt from a pile of clothes sitting on the edge of the bed. Throws it at Trey. When something falls to the floor. Ryan picks it up -- it's the watch Trey had been admiring at the store earlier.

Trey plays it cool as Ryan picks it up.

RYAN: This is the watch from that store. You stole this, didn't you?

TREY: No. I went back today and bought it.

RYAN: Don't lie to me, Trey. I'm not Mom.

TREY: It's not a lie.

RYAN: (getting angry) You're never gonna change, are you? Even if you go to prison, even if someone like Sandy is willing to go to bat for you, you're always going to be the same guy.

TREY: You know what? Makes no difference what I tell you.

Trey starts shoving his things into his bag.

TREY: Cause you'll always believe the worst about me, no matter what I do.

RYAN: Hey, you blame me?

TREY: Look, you don't want me here. That's obvious. So why don't I do us both a favor and take off.

Trey picks up the watch. Tosses it at Ryan.

Trey: Oh, and I bought this for you as a gift. To thank you for helping me out. And before you go calling the cops on me? Here's the receipt.

He reaches into his pocket and pulls out the receipt. Crumples it up and throws it at Ryan. Then walks out.

Off Ryan -- wondering if he just made a big mistake...

*

On Lance -- as he catches Julie's eye. Gives her a small smile and then disappears around the house...

Carter scrambles to the podium, flustered but in control. Speaks into the mic.

CARTER: Sorry everyone. Technical difficulties. Although we wanted to launch Newport Living with a bang, so --

Chuckles from the crowd... the ices has been broken.

As Kirsten puts an arm on Julie...

KIRSTEN: Let's get you out of here.

As she escorts her through the ogling crowd...

CARTER: (into the mic) Everyone please, help yourself to a drink. I'm sure we all need one.

INT. SEEDY CHINO BAR -- NIGHT (N3)

Ryan and Marissa sit at a table.

MARISSA: (looking at her watch) Ryan, I don't think he's coming back.

RYAN: I guess we should go.

A creepy looking guy we'll call Curtis sidles up to Marissa.

CURTIS: You feel like playing pool?

MARISSA: No thanks.

CURTIS: Then how bout a beer?

RYAN: I don't think she wants anything.

CURTIS: Was I talking to you?

MARISSA: (to Ryan) Maybe we should get out of here.

CURTIS: (to Marissa) I just want to buy you a drink. Why you being rude?

MARISSA: (really scared now) I don't want a drink.

RYAN: (steps in front of her) Leave her alone. I mean it.

CURTIS: (laughs a little) Sorry, rich kid. Not buying the act.

Curtis shoves Ryan out of the way.

CURTIS: (to Marissa, takes her wrist) Let's get out of here.

RYAN: Get off of her.

Ryan shoves Curtis. Who turns, decks Ryan in the face... Ryan steps back a moment -- rubs his chin. Forgot what that felt like... And then? Drills Curtis. Right back. Suddenly Curtis' friends grab Ryan. Curtis, bleeding, goes to sock Ryan in the stomach when --

Suddenly, Trey appears. Pool cue in hand. Jams it up under Curtis' throat. Slams him up against a wall.

TREY: Tell your friends -- let go of my brother.

CURTIS: All right, man, take it easy. (Trey applies more pressure) Guys... let him go...

They let go of Ryan.

***

18. The Risky Business

INT. ALEX'S APARTMENT -- DAY (D2)

Trey surveys the empty apartment. Marissa takes it all in. A landlord waits impatiently.


TREY: ...so this chick just split?

MARISSA: Moved back with her parents, yeah.

LANDLORD: And didn't get her damage deposit back either... So we have a decision? I got a tenant in 6A whose pipes burst. Gotta get in there before they drown.

TREY: I'll take it.

LANDLORD: Now, I gotta run a background check. And I'll need first and last month's rent, plus security.

TREY: What if we make you a better offer? Anything breaks down, I'll fix it.

MARISSA: This place is kind of a dump. It needs painting, new carpet.

LANDLORD: Hey, thanks. I think you had a little something to do with that. (considers) I'll call you tonight with an answer. Leave your number.

Trey signs the paperwork, gives Marissa a grateful smile.

*

INT. SHADY APARTMENT -- AFTERNOON (D3)

Where Matt (20's, shady, fat), opens the door to -- Seth. Businesslike. Smiling.

SETH: Uh, hello there. Pleased to --

MATT: Who the hell are you?

SETH: I'm here on behalf of the Film Preservation Society. We're doing a Tom Cruise retrospective. I understand you're in possession of the crystal egg from Risky Business?

Matt looks to his shady friend, Norman, who clicks off the tv. Rises to join Matt at the door. Next to Norman, on the table, is the egg. As Norman crosses off, behind him we see:

Ryan opens a patio door, slips into the kitchen. Stealth.

SETH: We're collecting key props from all of Mr. Cruise's most memorable films. We've got the rum bottle from Cocktail, the ceramic mask from Vanilla Sky. And that little kid with the big head from Jerry Maguire? He's waiting in the car. Wanna meet him?

They both look at Seth. Seth steals a glance at Ryan, now in the living room. Looking around. Can't see the egg. Then spots it on the table. Makes his move.

MATT: (about the shut the door) Get lost --

NORMAN: (stopping him) Wait. How does he know about the egg?

Seth sees that Ryan has the egg, heading to the patio door.

SETH: Uh, Mr. Cruise had it equipped with a transmitter. Sort of a homing device type. Must be a Scientology thing. He puts them in all his favorite props.

Matt and Norman look at each other.

MATT: Let's kill this guy.

And as they both go to grab him --

RYAN: Keep your hands off him.

They both turn to see Ryan, holding the egg.

MATT: What the hell is going on?

Seth and Ryan both take off running -- Ryan for the back door and Seth for the front.

EXT. SHADY ALLEY -- CONTINUOUS

Ryan runs down the alley, Matt in hot pursuit. At the mouth of the alley appears -- Seth. Norman pushes Seth out of the way. Charging Ryan. Matt on his heels.

RYAN: Seth, go deep.

On Seth -- oh shit. As he runs back, Ryan makes like Tom Cruise in All the Right Moves and lofts a perfect spiral. The whole world slows down... as Seth, Norman and Matt watch the egg hurtling through space towards Seth.

SETH: (to himself) This never worked in P.E.

As the egg comes to Seth -- he goes to catch it -- it bounces off his chest -- he bobbles it once, twice -- and then somehow, Seth comes up with the egg. Catches it.

NORMAN: That was ugly.

RYAN: Now, so are you.

Norman turns -- huh? Ryan decks him. Lays him out.

SETH: I caught it, Ryan!

***

[azuline]

19. The Rager

Thanks to kmb61288 for typing these up!

TREY: I know, stupid first thing to buy. I've just always wanted one. Kind of a birthday present to myself.

MARISSA: Oh, when's your birthday?

TREY: Saturday. The big two-one. Though after prison, being able enough to buy beer feels a little anticlimatic. Hey, you want something to drink? I only have one glass, but I could wash it.

MARISSA: No, I should get going. But I'll see you later.

TREY: Sure. Thanks again.

He closes the door behind her, looks at the lava lamp.

INT. PIER DINER -- AFTERNOON

Zach and Seth sit in a booth, waiting nervously.

ZACH: How's he going to recognize us?

SETH: I e-mailed descriptions. Jewish, curly haired, alpha-type, and WASPY, water polo mannequin.

ZACH: Thanks for that.

REED (O.S.): Seth?

REED, 23 and a girl, hiply dressed, carrying a messenger BAG, and just jaw-droppingly hot, stands there.

SETH: Um...yes?

REED: I'm Reed

SETH: Who?

REED: You must be Zach.

SETH (to Zach, "she's hot"): Do you know her?

ZACH: Seth, this is Reed.

SETH: Reed who?

REED: Reed Hutchens. Bad Science Comics. Carter Buckley's ex-assistant. We've been e-mailing all week. We have a meeting here. Now.

SETH: Wait, you're Reed?

REED (to Zach): Is he all right?

ZACH: We just thought you were a guy. Nice to meet you.

REED (shakes his hand): Oh yeah, people are always mistaking me for a man.

She sits down.

SETH: I can't believe you're Reed.

He looks at Reed, who's looking back at him with her retina-burning hotness. He opens his mouth, nothing comes out.

ZACH: So what do you think of the comic?

REED: What do I think? I think -- it taps into something real and compelling. I think the characters are vivid and engaging. I have a few suggestions. But honestly, I don't see why we shouldn't have a deal by the time I go back to L.A.

SETH (staring at her): I cannot believe you're Reed.

INT. COHEN HOUSE – LIVING ROOM

They come into the living room.

RYAN: You want something to drink or –

MARISSA: I’m fine. I just came by to ask you something.

RYAN: Sure.

MARISSA: Okay. Don’t get mad, but I was thinking it might be nice to have a birthday party for Trey.

RYAN: I don’t know what to do.

MARISSA (claps him on the knee): Well, as it happens, you came to the right place.

*

SANDY: You’re just out of practice. Anyway, lots of people hit themselves in the face with their boards.

CARTER: Three times?

SANDY: Yeah, that was impressive.

CARTER: Still, surfing in the O.C. is worlds away from Long Island.

ERIN (O.S.): Hey, Sandy.

ERIN, a Surfer Chick in her wetsuit, carrying her BOARD, early 30s, super cute, Asian, stops as she’s walking by.

SANDY: Erin, how you doing? You going out?

ERIN: Yeah, I don’t have to make rounds for a couple hours, so I figured I’d get in the water.

SANDY: Oh, Erin, this is Carter Buckley. He runs Newport Living, the magazine my wife’s company publishes.

ERIN: They came to the office yesterday. I read the profile on Nick Morton. Way to skewer him.

CARTER: Yes, and now we’re being sued.

SANDY: Erin’s an orthopedist in town. And an excellent surfer. Carter’s just getting back into it.

CARTER: Today I mastered hitting myself in the face.

ERIN: Well, any time Sandy’s busy and you want a surf buddy, gimme a call.

CARTER: Thanks, I might.

ERIN: See you, guys.

She heads off. Sandy and Carter watch her go.

CARTER: Yeah, worlds away from Long Island.

Sandy looks at Carter, smiles, claps him on the shoulder.

EXT. HARBOR SCHOOL – STUDENT LOUNGE – DAY

Summer and Marissa get COFFEE and go to a couch.

SUMMER: And he got mad? Because you wanted to throw a party for his brother?

MARISSA: It wasn’t just the party. It’s been building. Trey coming here has been really hard on him.

SUMMER: Well, you tried. If he doesn’t want a relationship with his brother, that’s his problem.

MARISSA: Yeah, I guess.

They sip their coffee. Summer groups her thoughts.

SUMMER: You can’t let it go, can you?

MARISSA: I’d just hate for him to realize two years from now how important his brother is, then find out he’s lost him.

*

INT. PIER DINER – DAY

Seth sits across from Reed, who throughout the scene looks through DRAWINGS. Seth is playing it a bit Mr. Cool.

REED: Seth, these new pages are great.

SETH: They’re okay. More sketches really.

REED: I owe Carter big. You and Zach are a find. Where is Zach anyway? I thought he was coming.

SETH: Did I not tell him? Huh. Hey, did you get a slight gay vibe off him?

REED: What?

His CELL PHONE RINGS. It’s Summer.

SETH: Would you excuse me? (answers) Hey, what’s up -- (lays it on) -- girlfriend…? Listen, I’m in a meeting… with Reed.

Reed’s looking at DRAWINGS of Summer as the Vixen.

REED: I love these Little Vixen pictures.

SETH (into phone): … the waitress. I’ll call you later, okay? Bye.

He hangs up.

REED: Who was that?

SETH: Oh, my mom.

REED: You call your mom “girlfriend”? Man, Newport is a crazy place.

INT. CALEB’S MANSION – FOYER – AFTERNOON

Julie answers the door. There’s a MESSENGER there with a PACKAGE.

MESSENGER: Mrs. Cooper-Nichol?

JULIE: Yes.

He holds out his CLIPBOARD, she SIGNS for it. He leaves. She opens the package. She reads it. Looks up rueful and pissed.

INT. TREY’S APARTMENT – EVENING

Knocking. Trey answers the door. It’s Marissa.

TREY: Marissa, what’re you doing here?

*

SETH: All right, let’s go. Marissa? Little Chinese rings?

MARISSA: I’ll pass.

Ryan shakes his head, Seth nudges a resistant Summer down the stairs while glaring back at Zach. Trey follows them.

INT. CALEB’S MANSION – MINUTES LATER

Marissa and Ryan walk through the party. The house is maybe half full.

RYAN: I don’t want you to get into trouble for this.

MARISSA: Don’t worry. I mean, it’s not like I’m throwing a rager.

The DOORBELL. Marissa answers it. A CUTE GIRL is there.

CUTE GIRL: Hi, is there a party here?

MARISSA: Uh… yeah.

CUTE GIRL: Great. (yells behind her) This is it!

Marissa and Ryan are suddenly pushed aside by a FLOOD OF PEOPLE. SIX WATER POLO GUYS, carrying THREE KEGS, pass by.

RYAN: Yeah, I would say the word has definitely spread.

And then more kids come in… and more kids… and more kids…

*

INT./EXT. CALEB’S MANSION – NIGHT

What was a nice tame party has now become an INSANE NEWPORT RAGER. These kids are rich, hot, and live to party.

-- By the pool, next to the KEGS the water polo team pounds beer while their scantily clad female groups chant, “Chug! Chug!” They crunch their GLASSES and throw them away.

-- The living room. Lights are low. Music throbs. Hot Chicks churn with each other in a Matrix 2 mass. Against the wall, a couple is basically having sex, oblivious to everyone else.

-- In the dining room, kids are doing TEQUILA POPPERS, pounding the GLASSES on the table, throwing back shots. Pan to a couch. A couple BONGS on the coffee table. Two guys look totally checked out, another does a hit.

EXT. CALEB’S MANSION – POOLSIDE – NIGHT

Seth approaches the Water Polo team around the keg.

SETH: Hey, sorry to interrupt the chugging, I’m looking for Zach. He plays water polo too –

GIANT WATER POLO GUY/KYLE: Are you talking to me, geek?

He throws away his beer and faces Seth. Two others surround Seth – kick your ass style.

SETH: Woah, hey. Kicking the comic book guy’s ass. I thought we were past all this.

The Giant Water Polo Guy/KYLE grabs Seth’s neck.

SETH (CONT’D): Wow, your hand goes all the way around. That’s… kind of hard to breathe…

Suddenly two of the guys are pushed aside. Trey grabs Kyle’s hand in a pressure-pointy way and easily takes it off Seth. Trey keeps pressing the guy’s wrist sending him to his knees.

GIANT WATER POLO GUY/KYLE: Stop, man! I got a game tomorrow!

TREY: Then maybe you should go home and get some rest.

He pushes the guy away. The other water polo guys are just staring, stunned, intimidated. Trey leads Seth away.

TREY(CONT’D): You okay?

SETH: Yeah, talk about déjà vu. O.C. Party. Threatened by water polo guys. Saved by an Atwood.

An extremely hot girl, Jess, comes up to Trey with adoring eyes.

JESS: That was amazing. Do you like know Aikido or something?

SETH: I’m gonna let you handle this one.

He moves off as Trey goes on talking to the girl.

INT. CALEB’S MANSION – NIGHT

Three guys do lines of BLOW in unison. One guy looks up, white powder around his nose, to where Ryan stands watching.

RYAN: Looking good, pal.

He spots Marissa. She’s drinking from a WATER BOTTLE.

RYAN(CONT’D): There you are. And you’re drinking water.

MARISSA: Someone’s gotta be responsible.

BEER GUY and BEER GUY #2 slam through the crowd, carrying another KEG. Groaning a little at the disaster her house has become, Marissa takes Ryan by the hand and leads him off.

*

ZACH: Look, I don’t really feel like getting into this right now. So you just go find your date, and I’ll find mine.

SETH: Fine.

They both turn, and stand there, looking… looking…

INT. CALEB’S MANSION – BATHROOM – NIGHT

Summer enters, having pushed through a swarm of people. She stops. Reed’s at the mirror, putting on LIPSTICK.

SUMMER: I’m sorry.

REED: No, come in. There’re already a couple people in the shower anyway.

Summer looks toward the shower, hears water, giggling.

SUMMER: Wonderful.

She goes to the mirror beside Reed and takes out her MAKE-UP.

SUMMER (CON’D): Hey, aren’t you here with Zach?

REED: Yeah. I mean, just as friends.

SUMMER: He’s a great guy, isn’t he?

REED: Oh my God. So sweet. And cute. I can’t believe he doesn’t have a girlfriend.

SUMMER: Yeah, well, the girls at our school can be idiots.

Reed looks at her, pauses.

REED: I know this sounds crazy. But you look like – have you ever heard of Little Vixen?

SUMMER: How do you know about Little Vixen? Do you know Seth?

REED: Yeah. I’m helping him with his comic book. I’m Reed.

She puts out her hand, and in a replay of Seth in the diner, Summer just looks at her, not getting it.

SUMMER: Who?

EXT. CALEB’S MANSION – POOLSIDE – NIGHT

Seth stands at the edge of the pool on tip-toes, looking for Summer. She comes up and pushes him so he nearly falls in.

SUMMER: Jerk! He’s a she!

SETH: Woah! What’re you doing?

SUMMER: Reed is a girl.

SETH: Okay, now I never said –

SUMMER: Don’t you dare! Don’t you dare pretend you didn’t lie.

SETH: But I knew you’d get the wrong idea.

SUMMER: Oh, right, this is my fault. Since of course, I wouldn’t want to know my boyfriend’s met this totally gorgeous 23-year old who loves comics and thinks he’s the next Brian Bendis, whatever that means.

*

MARISSA: Excuse me.

There’s a three-some, TWO GIRLS and a GUY, in her bed.

MARISSA (CONT’D): This is my room.

GUY: Oh, you want in?

MARISSA: Get out.

The three-some guiltily leaves. Marissa shuts the door. She and Ryan look at each other – and suddenly laugh. They collapse on her bed. Exhausted. Exhilarated.

RYAN: Your mom would understand, don’t you think? If she came home right now?

MARISSA: Oh, definitely. I mean she said Trey could have a beer.

Ryan looks at her. He sits up. She does as well.

RYAN: Listen, I want to thank you for everything you’ve done for Trey. And me. If it wasn’t for you, he and I – just – you’ve been amazing.

MARISSA: I know what it’s like to have someone believe in you when no one else does.

Their faces are close. Ryan moves a little closer. They’re about to kiss when outside a GIRL SCREAMS. They run to the balcony, throw open the doors. In the pool, they see a GIRL floating, FACE DOWN.

MARISSA(CONT’D): Oh my God.

Ryan runs out. She follows him.

*

CARTER: Kirsten, dinner was great.

KIRSTEN: Thanks. I’m glad you both could make it.

And she manages to smile at Erin.

SANDY (IN KITCHEN): Oh my god. Are you all okay…? I’ll be right there.

KIRSTEN: What is it?

SANDY: Apparently the kids threw Trey a birthday party at Caleb’s, and it got out of hand. A girl took some drug, then passed out in the pool. She’s breathing, but they’ve called the paramedics.

KIRSTEN: Are Seth and Ryan –

SANDY: All the kids are okay. I’m going over there. (to Carter and Erin) I’m sorry, folks.

CARTER: It’s fine. Let me move my car.

Sandy nods, kisses Kirsten.

SANDY: I’ll call you.

Carter and Sandy head out. Kirsten and Erin are left alone.

KIRSTEN: Well…

She stands, picking up PLATES to take into the kitchen.

ERIN: Here, let me help you.

She picks up plates as well, follows Kirsten in.

KIRSTEN: It’s too bad it had to end like this.

ERIN: I know. I had a great time. (searching) Carter seems really wonderful.

KIRSTEN: He is. Just – be careful.

ERIN: What do you mean?

KIRSTEN: Look, we’ve introduced him to a couple people. They hit it off, go out. Then Carter will get back together with his wife – for a week or a month and…

ERIN: Oh…

KIRSTEN: I’m only telling you because in your position, I would want to know. I mean Carter’s a great guy, but it is a bit of a pattern.

ERIN: No, I – appreciate it. Thank you.

Thrown, Erin turns away to get more dishes. Kirsten turns to the sink, a little shocked at what she just did.

EXT. CALEB’S MANSION – DRIVEWAY – NIGHT

AMBULANCE. COPS. A CROWD of kids. Ryan, Seth, and Marissa stand around as Jess is loaded into the ambulance by two PARAMEDICS. The pool is visible in the background.

RYAN: Is she gonna be okay?

PARAMEDIC: Don’t know. Stand back.

Trey pushes up through the crowd.

TREY: What’s going on?

RYAN: Where’ve you been?

TREY: I –

He stops, seeing the girl’s face. Ryan gets it.

RYAN: Do you know her?

Before Trey can answer, Sandy hurries up.

SANDY: Seth. Ryan.

SETH: Dad.

SANDY: Are all of you okay? (off their nods) What about the girl?

SETH: They’re just taking her away.

A cop approaches Sandy.

COP: Is this your house, sir?

SANDY: No, my name’s Sandy Cohen. I’m responsible for these four.

COP: Who lives here?

MARISSA: I do

COP: Where’s your parents?

MARISSA: My mom’s out. I tried her cell, but it must be off.

COP (pulls out cuffs): Will you turn around, Miss? I’m going to have to take you in.

SANDY: Woah, what’re you doing?

COP: Sir, someone gave that girl GHB. Until I find our who brought the drugs to the party, I’m arresting the owner of the house.

TREY: I gave them to her. (off their looks) I brought the drugs.

SANDY: Trey.

TREY: I’m sorry.

As he says this he looks from Sandy to Ryan. His apology encompassing them both.

The Cop takes Trey by the arm and puts him in the back of the CRUISER. Marissa moves next to Ryan, taking his arm. Ryan’s shocked eyes are locked with his brother’s…

End of show.

***

20. The O.C. Confidential

Thanks to kmb61288 for typing these up!

SANDY: No, but we need to start putting together a defense in case this thing goes to trial. Tonight.

TREY: My defense is I didn’t do it.

SANDY: We’re gonna have to do better, Trey.

With that, Trey tosses his NAPKIN on his chair, and exits. Sandy looks at Ryan, wishing he could do better himself…

INT. REED’S SILVER LAKE PAD – NIGHT

Zach and Seth sit on a low-rise mohair couch in Reed’s swanky mid-century. DAMON, a 28-ish guy in a black turtleneck and Elvis Costello glasses sits across, as REED pulls up a chair.

REED: Thanks for making the drive. I’m sure traffic out of Newport is a bitch on Fridays.

ZACH: Drive was no problem. We’re just looking forward to hearing your thoughts and concerns.

SETH: As quickly as possible.

DAMON: Then let’s get started.

Zach reaches into his BACKPACK, whips out a NOTEPAD and a PENCIL. Seth gives him a look.

DAMON (CONT’D): Overall, we’re concerned with the universality of Atomic County. A little worried kids in the heartland won’t really “get” the world.

SETH: A.C.’s location is the backbone of the strip. It’s why you were interested in the first place –

ZACH (interrupting): We’ll take a look at it.

Seth guffaws at Zach, betrayed. Damon moves on.

DAMON: Also, we’re wondering about Cosmo Girl’s magic flask. Could she get power from some sort of sports drink instead?

SETH: What? No –

DAMON: Legal’s worried about lawsuits from parents of teen alcoholics. Also, the Ironist is a little cerebral, don’t you think?

Damon’s CELL PHONE RINGS. He checks the ID.

SETH: Is he being ironic?

DAMON: Gotta take this.

Damon stands, heads out of the room. Seth looks at Reed.

SETH: Who is this guy?

REED: Damon’s a marketing genius. We just recruited him out of Fantagraphics. He’s going to make you famous.

SETH: As what, the lamest comic author ever?


REED: Notes are part of the process, Seth. And Damon really knows what he’s doing. In fact, the party tomorrow night was all his idea.

SETH: What party?

ZACH: A party. That is awesome of you.

*

KIRSTEN(a safe compromise): I guess if we head out early, we could make it back in time for dinner…

SANDY: Then it’s decided. I’ll make dinner, you bring back the wine.

Happy, Sandy lays his head on her lap. Kirsten strokes his hair, already conflicted…

INT. THE BAIT SHOP – NIGHT

Ryan scans the club, spots Kyle at the bar. He sidles up.

RYAN: Man, it’s packed here tonight. (Kyle ignores him) Hey, don’t I know you from that house party last weekend?

KYLE (looks Ryan up and down): I don’t think so.

RYAN: Yeah, it’s Kyle right? That party was outta hand. I heard some chick almost OD’d in the pool.

KYLE: Is that right?

Kyle knows he’s being maneuvered. Across the bar, a WATER POLO BUDDY signals to him. Kyle shoulders past Ryan intimidatingly, makes his was over to his friend.

Ryan watches as Kyle approaches his buddy. The friend flashes a wad of CASH. Kyle, irritated, shoves the money back at him, not wanting to make an exchange in public.

As the two guys argue, Ryan heads over, but is stopped in his tracks by SETH, just as DEATH CAB FOR CUTIE wraps up… Everyone applauds. (From the stage: “Good Night, O.C.!”)

SETH: I can’t believe I missed Death Cab. Kill me now. Which reminds me – is Summer here?

Ryan pushes past Seth, who dogs him.

*

INT. PAPA JAKE’S DELI – DAY

TOM MACKINNON, 50’s, big Irish conservative, chows down on a sandwich of indeterminate meaty origin as he reads the PAPER. Reveal Sandy, standing with Trey, watching him.

TREY: So… what do we say?

SANDY: You? Nothing. Since I’m present, anything you say can and will be used against you. Stay right here.

Sandy walks over to Tom’s table.

SANDY (CONT’D): Big Mac?

Tom looks up, not used to being disturbed, wipes his hand, extends it.

TOM MACKINNON: Tom Mackinnon.

SANDY: Sandy Cohen. Turkey and Munster – the most underrated of all the cheeses – slaw in, egg bread grilled, Russian dressing on the side. That’s a hell of a sandwich you created.

TOM MACKINNON: My grandfather owned a deli growing up. He deserves the credit… Sandy Cohen? Why do I know that name?

SANDY: I’ve been trying to reach you through the D.A.’s office for the last several days. I represent Trey Atwood.

Sandy points over to Trey, who nods in Tom’s direction.

TOM MACKINNON: What is this, an ambush.

SANDY: Not at all. Just wanted to see if we could put a deal together.

TOM MACKINNON: Kid’s charged with dealing on parole. You know something I don’t know?

SANDY: Yeah, you got the wrong guy.

TOM MACKINNON: We got his confession, eyewitnesses placing him with the girl who OD’d, and a bad of Ecstasy matching her tox screen recovered at the scene.

TREY: Check it for fingerprints.

Sandy turns to see Trey has moved in.

SANDY: Trey.

TREY: I never touched it, my fingerprints won’t be on it.

TOM MACKINNON: You’re right, no one’s are. And who’d know that other than the kid who wiped that bag clean.

TREY: I told the comps I gave that girl the drugs to save a friend, I swear, I didn’t do it.

TOM MACKINNON: Who’s the friend?

SANDY: Not another word, Trey. (to Mackinnon) Two years probation, plus a hundred hours community service.

TOM MACKINNON: He’s got at least a year for the parole violation alone. (beat) Look, none of the kids at that party have so much as a traffic ticket, so unless you got another suspect for me, there’s not gonna be a deal.

Understood. OFF SANDY, another impasse…

INT. FEATHERSTONE WINE TASTING PRESS PARTY – DAY

Carter and Kirsten enter a tasting room with the rest of the PRESS CORPS. On the walls are vintage PHOTOS of an old Native American reservation., Indian artifacts, and a prominent photo of a weathered Indian Chief.

KIRSTEN: Except for my hair issues, that was a great call on the convertible.

CARTER: It’s the way the California coast was meant to be seen. And your hair looks great.

KISRTEN: Liar. As punishment, I control the radio on the way home.

CARTER: I’m sorry, but no one who’s won on American Idol sings in my car.

KIRSTEN: Consider yourself lucky, if Sandy were here it’d be show tunes and torch songs.

An attractive 40-ish woman, CHERILYN FEATHERSTONE, of Native American descent, enters the room.

CHERILYN FEATHERSTONE: Members of the press, honored guests, I’d like to welcome you all to my family’s winery. (applause) Unfortunately, my grandfather Chief Featherstone is in poor health and will be unable to join us this afternoon.

KIRSTEN: That’s a shame. I was hoping we’d get a glimpse of the old guy.

CARTER: I bet he's just a marketing gimmick, like the Jolly Green Giant, or the Pope. Maybe we could turn this article into all expose.

Kirsten elbows him. Waiters and waitresses appear with glasses of red wine. Carter grabs one for himself and one for Kirsten.

CHERILYN FEATHERSTONE: Our first vintage is a 2003 Pinot Noir. Our vineyard is the only one on a North American mountain range running east to west, rather than north to south. My grandfather is convinced it's what gives the grape its unique flavor.

Carter raises his glass.

CARTER: Hail to the Chief.

Kirsten grins and as they clink glasses...

EXT. REED'S SILVER LAKE PAD -- EVENING (N2)

Seth, now wearing glasses exactly like Damon's, escorts an irritated and uncomfortable Summer (looking very Summer) up to Reed's front door.

SUMMER: I can't believe your "big apology" dinner turned into a "make me even madder" party in Silver Hell. If a cab home didn't cost three hundred dollars, I would be so out of here.

SETH: Okay, yes, you are here under false pretenses. But we both know that deception was the only chance I had of getting you to come. (he rings the bell) Truth is, I was hoping that once you got here, you'd try to make the best of it.

SUMMER: (says it all) You're wearing non-prescription glasses.

*

Julie leans in, gives Lance a kiss, just as the image shutters in rapid succession, the illicit meeting being captured somewhere by a hidden camera...

INT. FEATHERSTONE WINE TASTING ROOM -- NIGHT (N2)

A man spits a gulp of wine into a silver bucket. A waiter passes the bucket to Carter and Kirsten. She shakes her head, swallows. Carter waves the waiter past him as he downs his glass. They're wasted.

CARTER: They should implement the bucket concept at fast food chains. All the flavor, none of the calories.

KIRSTEN: (laughs) You're sick.

Cherilyn Featherstone calls the group to order.

CHERILYN FEATHERSTONE: Ladies and gentlemen, that concludes our tasting this afternoon. Thank you so much for coming. We look forward to your reviews.

Applause. As the room empties...

KIRSTEN: How many wines have we tasted?

CARTER: According to my notes? (he flips a notebook) I stopped taking notes.

KIRSTEN: Should we fire ourselves for drinking on the job?

CARTER: Technically, drinking was the job. (a beat) I'm hammered.

KIRSTEN: You can't be, you have to drive.

CARTER: With the cliffs, and the ocean, and the windy roads? Nuh-uh, you drive.

KIRSTEN: I drank just as much as you, and I’m half your size.

Kirsten’s wine GLASS slips from her hand. Carter goes to catch it, red wine spills on his shirt.

CARTER: Point taken.

As Kirsten dabs at the stain, Carter flags down a HOSTESS.

CARTER (CONT’D): Excuse me. Do you know where we can find a driver?

HOSTESS: Are you staying locally?

CARTER: Orange County, actually.

HOSTESS: I’m sorry. I could call the Biltmore, I’m sure they’d be happy to send a car and provide a room for you.

CARTER: Beats waiting out our buzz on ancient burial grounds.
(to Kirsten)
What do you think? Expense it?

KIRSTEN: Guess we don’t have a choice, do we?

And OFF KIRSTEN, convincing herself this is true…

INT. COHEN HOUSE – KITCHEN – NIGHT

Sandy sits at the kitchen table, going through Trey’s CASE FILE. Marissa, Ryan, and Trey enter from the pool house. Sandy checks his WATCH.

SANDY: Whoa, I lost track of time, you kids ready for some dinner?

RYAN: Actually, we need to talk to you.

SANDY: Sure.

*

EXT. WATER POLO PARTY – BEACH HOUSE – NIGHT

Even Marissa looks our of her league as she navigates this sea of Newport’s richest and hottest, Ryan at her side. They reach the front door and find – a VELVET ROPE. With a DOOR GUY… well, door KID. Freshman water polo player.

DOOR KID (to Marissa): Who’s list are you on?

MARISSA: Jess’. Marissa Cooper.

Door Kid checks her off, unclips the rope to let her through. Ryan follows and is stopped –

DOOR KID: You on Jess’ list too?

RYAN: Uh, no.

DOOR KID: Then you can’t come in. Sorry dawg.

As the Door Kid deals with some new kids, Marissa looks at Ryan, who motions to the side of the house. She nods and heads inside.

INT. WATER POLO PARTY – BEACH HOUSE – MOMENTS LATER

Marissa has made her way through the throng to the side door, opens it. Letting in – Ryan. He looks around.

RYAN: This really is the dark side. Any sign of Kyle?

MARISSA: Not yet. But he probably shouldn’t see you here…

At that, Marissa sees KYLE approaching with his posse. She grabs Ryan, pulls him into the corner, close to her. In spite of the circumstances, or maybe because of them, it’s a sexy moment. Eventually Kyle moves on, and they separate, slightly awkward, just as JESS swings by, high as a hat.

*

Kirsten CLICKS off the phone. What the hell is she doing…?

INT. REED’S SILVER LAKE PAD – NIGHT

Seth is surrounded by Reed and her team of associate hipsters spelling out big plans for Atomic County. Summer stands with Zach on the fringe, annoyed.

DAMON: The cross promotional opportunities for Atomic County are endless. We’re talking fast food tie-ins, action figures, NASCAR –

SETH: NASCAR?

HIPSTER GIRL: Kid’s are really into body sprays these days. I’m thinking a different scent for each character.

HIPSTER GUY: And it’s never too early to start developing multimedia franchises.

SETH: Right. What do you mean?

DAMON: Atomic County Online, video games…

SETH: My own video game?

DAMON: This time next year? Atomic County – the TV show.

Summer approaches Seth, annoyed.

SUMMER: I need to talk to you.

SETH: Animated or live action?

DAMON: Why not a hybrid?

SETH: Why not, indeed.

*

KIRSTEN: They’ve found a car for us. (beat) I need to go home.

CARTER: Oh. Great. I’ll get dressed.

And as Carter heads back into the bathroom, OFF KIRSTEN, narrowly escaping her own desires…

INT. WATER POLO PARTY – BEACH HOUSE – NIGHT

The party is going off. Ryan finds Marissa standing alone.

RYAN: What’s happening?

MARISSA: They’re outside, talking.

A door opens and Jess slips in. Ryan and Marissa separate.

JESS: Open your hand.

Marissa opens her hand. Jess drops in four BLUE PILLS.

JESS (CONT’D): Just one at a time, and drink tons of water. Oh, and stay away from GHB on this. Trust me.

MARISSA (pulls out MONEY): It’s eighty, right?

JESS: Kyle thinks you’re cute, so he just wants sixty, and an introduction. C’mon.

Marissa looks to Ryan, helpless… As Jess escorts her our the door, Ryan whips out his PHONE…

EXT. ALLEY BEHIND BEACH HOUSE – NIGHT

Jess and Marissa approach Kyle, who’s having a CIGARETTE.

KYLE: You Marissa?

MARISSA: Look, thanks for hooking me up, but I kind of have a boyfriend…

KYLE: I kind of… don’t care.

He moves in, just as. Ryan steps up.

RYAN: Back off. She’s with me.

It takes Kyle a second before he recognizes him.

KYLE: Get the hell out of my house, bitch, it’s a private party.

RYAN (can hear SIRENS approach): Hope you enjoyed it, it’s your last. (to Marissa) Go back inside.

KYLE: You a narc?!

Kyle grabs Ryan’s shoulder, spins him around and clocks him. But Ryan doesn’t go down easy. Shoves him back. Kyle, enraged, bulldozes Ryan, just as Sandy’s CAR SCREECHES into the alley, followed by a SQUAD CAR.

Trey jumps out, races up, and grabs Kyle just as he’s about to smash Ryan, and shoves him against the wall. Kyle’s just now putting together what’s going on. As two uniformed cops charge onto the scene with D.A. TOM MACKINNON.

COP: Put your hands behind your head.

KYLE: What are you talking about? Arrest this guy, he’s trespassing.

TOM MACKINNON (to Trey): This who you saw last week?

TREY: Yeah, that’s him.

One of the cops gets Kyle’s coat, pulls out a sandwich BAGGIE full of little blue pills.

TOM MACKINNON: Kyle Thompson, you’re under arrest for possession of a controlled substance with intent to distribute.

KYLE: That’s not my stuff, that guy’s lying! He planted it on me!

The cops cuff Kyle and haul him away. As he screams that Trey’s a liar, Marissa looks at Ryan…

MARISSA: Where’s Jess…?

They look around, she’s nowhere to be found.

TOM MACKINNON: I’ll file a motion to dismiss all charges on Monday.

SANDY: Thanks for doing this, Tom.

Sandy approaches the kids. Claps Trey’s shoulder.

SANDY (CONT’D): You got a clean slate, kid. You guys ready to head home? It’s past my bed time.

TREY: Actually, I was kind of hoping to spend the night at my place.

RYAN: We can drop you.

Sandy nods, turns to leave. Then –

TREY: Mr. Cohen…

SANDY: You’re welcome, Trey.

EXT. TREY’S APARTMENT – NIGHT

Ryan and Marissa in the front seat as they drop off Trey.

TREY: I owe you, little brother. Again.

***

[azuline]

Working on updating and editing stuff into the comp.

Safe to post!

[Kitty~]

Hey wow am I like the second post! New here! My name is Kit but I like people on boards calling me kitty Thanks!

[luvoco2]

Wow, thank you so much for the sides! Sounds like a wholeeeee lot of drama coming up, and a bit of the old OC style...can't wait!

[Kitty~]

I am a big fan of Marissa and Ryan so I hope they do get back together. Telling from the sides though it seems like they should get back together! Personally I think they are ment for each other.

I saw the CTV preview and it looked really good! Seems like the upcoming episode will be a really good one! I can't wait for 2 weeks lol

[azuline]

TEMPERS FLARE ON "THE O.C." THURSDAY, MARCH 17, ON FOX

Seth is determined to bring back the spirit and fun times of last year and won't stop until his plan is fulfilled. Alex's jealousy is fueled when Marissa enlists an unlikely partner to help her with the school bonfire. Meanwhile, Kirsten wants Carter to stick with the magazine despite his reservations and Sandy helps Julie keep her blackmailer at bay on "The Blaze of Glory" episode of THE O.C. Thursday, March 17 (8:00-9:00 PM ET/PT) on FOX.

Cast: Peter Gallagher as Sandy Cohen, Benjamin McKenzie as Ryan Atwood, Mischa Barton as Marissa Cooper, Rachel Bilson as Summer, Adam Brody as Seth Cohen, Kelly Rowan as Kirsten Cohen, Tate Donovan as Jimmy Cooper, Melinda Clarke as Julie Cooper, and Alan Dale as Caleb Nichol.

Guest Cast: Olivia Wilde as Alex; Johnny Messner as Lance and Billy Campbell as Carter.

[Kitty~]

Hmm...I think that "unlikely partner" in this new episode will be Ryan! What do you guys think??? No wonder Alex gets jealous. I really don't blame her because she might realize that Marissa wants to get back together with Ryan.
The sides say that Alex is going to move in with her parents which I think is sort of wierd because while she is with Marissa I thought she sort of complained about her parents!

[elowe4]

could anyone please post the trailer for the upcoming spidoe on here. the fox one and the other one please!

[mZboredom]

looks good so far. i seriously hope seth and summer don't split over seth's ego of getting recognized.

<center>

[kmb61288]

OC311 posted some spec in the last forum that they would get together, split cuz summer cheated cuz seth was neglecting her emotionally (comic book thing), build back up their friendship next season and then get back together for good... just reposting it because i thought it was really good and also i wanted to comment that its not likely for them to be outta the storm yet. josh enjoys messing with us fans too much.
as long as they are together in the end i dont mind a little drama.

[OC311]

kmb61288, Did you find the reasoning in my Spec? I mean why else would Zach be sticking around in future eps other than to ruin a happy ending for Sether at the end of this season. By no means do feel that Summer will go back to Zach for a relationship, but more for a one night stand type situation with a confused and lonley Summer and a plotting vengful Zach (if he can't have her, he will make sure Seth dosen't want her.) Subconsiosly it will obviously be another attempt for Zach to have Seth fall in love with him (more of my Zach is gay and secretly lusts after Seth spec)

But putting the Zach is "gay" joking aside, I really do feel that S/S are sooo not out of the woods yet. It would be stupid if Seth screwed it up again. The fanbase would say "screw it" and the huge fanbase of S/S shippers (which is almost everyone that watches the O.C.) would evaporate overnight. Pretty much saying " Seth your a tool, you screw it up to much, and you don't deserve Summer".

It has to be Summer who mortally screws the relationship this time. It has to be Summer who loses the trust of Seth and the fans for their final reunion to mean something.

you know something like "you left me over the summer but I took you back because I love you" and "you got drunk and confused and cheated on me but I am taking you back because I love you"

That would make it so real and so much more of a true love situation in the end, because they both hurt each other so much but eventally could not live without each other.

[kmb61288]

yeah i definitely think your point about zach sticking around for a sether reason rather than a comic book reason is valid.i think it would be hilarious if he turned out to be gay and in love with seth, however they have already done that storyline twice. one thing i dont agree with is that zach is plotting and vengeful though. i mean hes been nothing but understanding so far. youre defenitely right that seth cant do something again though. hes worked too hard for it to be realistic that he would screw up again.
it would be so nice to have a proposal someday... lol just dreaming

[Sharipep]

OC311, i think that spec is brilliant, albeit depressing. Summer ideally does have to be the one to mess up this time, but i'm hoping that if Schwartz & Co are that smart, they'll put it off for a while... give sether some drama WITHOUT the breakup and maybe a year or eight months from now break them up. a girl can dream can't she?

Shari