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The Book of Eli Review: The Gospel According to Allen and Albert

The Hughes Brothers have tackled many eras with their work, from the 19th Century in “From Hell,” the 1970’s in “Dead Presidents,” present day in “Menace to Society,” to the future with their latest film “The Book of Eli.” All of their films have the central theme of a sort of urban decay, but this latest film takes it to the extreme. The setting of “The Book of Eli” is thirty years after a nuclear war, in a time where amenities are scarce and the only urban areas are desolate, nihilistic dystopias. Even though they have traveled through time with their movies none could ever be called timeless, “Eli” being no exception.

The title comes from the book that Eli (Denzel Washington) carries around, and reads from, dare I say it, religiously. Without ruining much the book is a King James Bible, and Eli protects it with his life having been sent on a quest to bring it ever West by some mysterious voice we are supposed to assume is God. From the advertisements one might have gotten the misconception that this film is all about action, but actually it is all about proselytizing. Leaning heavily toward the Protestant and Evangelical crowd, it being a King James after all, the film has a message, though it seems a very narrow, and not well thought through one.

Daybreakers Review: There Will Be Blood

“Daybreakers” is set ten years in the future after the world has been overrun by an “Epidemic” that turns most of the world into Vampires, and the population is running out of the most valuable resource on the planet – human blood. Hawke stars as Edward Dalton, the leading hematologist searching for a blood substitute in order to save the vampires from morphing into huge human/bat hybrids due to lack of the red man-juice. The obvious tie in to the world’s oil reserves is never hidden, and the fact that all of the cars in the picture are noiseless and electric only serves to heighten the allegory. However the fact that the Spierig brothers have no interest in hiding the “Point” of the movie makes it all the better. This isn’t a film about cerebral commentary on international amenities, it is just pure B-Movie fun.

As more and more of the population slip into decline, starved for the diminished supply of real blood, Dalton refuses to feed on even a drop of the “Real Stuff,” harboring sympathies for the few remaining humans. After a car accident with some honest to God sun-lovers Dalton is drawn into the band of humans who have banded together to find a cure for the plague threatening to overtake the planet once and for all. Among the humans is ex-vamp Elvis played by Willem Defoe. Coming off a decidedly different type of Horror picture, Lars Von Trier’s “Anti-Christ,” Defoe isn’t really swinging for the fences here, but his stunted, even clumsy, performance actually adds to the Midnight Movie feel. Even Ethan Hawke, who usually comes off uber-melodramatic, fits perfectly into the role of the Vampire yearning for his own humanity – think a tougher Edward Cullen with less poofy hair.

Leap Year Review: Formulaic And Painful

It’s January – and you know what that means for movies. Usually this time of year we see an onslaught of horror movies or parody films that you absolutely cannot believe someone agreed to be involved with – much less produce. ‘Leap Year’ may confuse you, as it’s being released about a month before all the women will drag their significant others to the cinemas to see cheesy films that will make them want to pull their hair out. But us girls love a good romantic comedy, don’t we? Sadly, I wouldn’t classify ‘Leap Year’ as good or as a comedy. Sure it’s supposed to be funny, but my god is some of it painful. I contemplated getting up and leaving the screening at several points, and rarely do I feel compelled to do that.

The film tells the story of Boston gal Anna Brady (Amy Adams) who has been waiting very patiently for Jeremy (Adam Scott) – her boyfriend – to propose to her. On the eve of his departure for a cardiology convention in Dublin, Jeremy leaves Anna with a pair of earrings – not exactly the jewelry item she had been anticipating. After little thought, Anna decides she’s going to Dublin to propose to Jeremy on February 29th. This act is apparently a tradition in Anna’s family as it’s how her grandmother proposed to her grandfather.

DVD Review: 9

Saying 9 is a beautiful movie is a huge understatement. It’s visually intense, and the CGI is absolutely seamless. However, this is where my wonderment with the film ceased. The plot is basic, formulaic, and offers little to excite the viewer.

DVD Review: 500 Days Of Summer

500 Days revolves around love struck Tom (Joseph Gordon-Levitt) and the girl of his dreams, Summer (Zooey Deschanel). In just 500 days, Tom goes from meeting Summer, to falling for her, to convincing himself that he doesn’t love her, to being with her, to…. Well, I can’t tell you that.

The Imaginarium of Doctor Parnassus Review: A Hollywood Ending

Hollywood loves a story. When Heath Ledger died Hollywood got it. Having turned in terrific performances in both “Brokeback Mountain” and the posthumously released “The Dark Knight” Ledger had set himself up as a tragic screen legend, a shining star extinguished well before his time. That Hollywood story is in for a bit of a revision with Terry Gilliam’s latest picture, “The Imaginarium of Doctor Parnassus.” Ledger died of a reported overdose almost two years ago, during the filming of the movie, and while the long list of worldwide studios who signed on to distribute “Parnassus” would like to sell the picture as the last great performance of a of a silver screen luminary, don’t be fooled. With none of the understated stoicism of Enis Del Mar or the menace of The Joker, Ledger puts in an over blown performance as Tony, the amnesiac philanthropist, which most will sweep under the carpet as a sad footnote to an otherwise successful career.

DVD Review: Extract

You know what to expect with ‘Extract’ if you’ve seen any of Mike Judge’s previous films. ‘Office Space’ is a classic and one most of us quote on a regular basis, but is ‘Extract’ that legendary? Sadly, no – but that doesn’t mean it’s not an entertaining film. I actually really enjoyed it – though it was a bit darker than I anticipiated.

DVD Review: Harry Potter And The Half Blood Prince

This 6th installment is one of the longest yet more entertaining films in the series. The darker tone met with the more mature territory helps to create a feeling that the series is becoming more epic. The more sinister threats make it obvious that the films are growing older along with their fanbase.

Decade In Review: Movies In The Year 2000

The decade is coming to a close, and along with everyone else on the Internet I have opinions. Since my personality leans toward the obsessive compulsive I keep lists, especially my list of all films I’ve seen in my life (current up to 12/7/2009). I also keep the lists of every year’s best, worst, most over rated, and most under rated films of the year. For the next three weeks I’ll be posting the list for each year of the decade, the films in no particular order other than alphabetical. I’m sure I missed quite a few, but if you disagree and you check the list and I saw it then maybe it wasn’t good, and you have bad taste.

10 BEST OF 2000

1. BATTLE ROYAL – DIR. Kinji Fukasaku Japanese teenagers murdering each other on an island. That’s it. There is no explanation needed. Fukasaku has always been a master of violence dating back to the 1960’s with his “Yakuza Story” series, but this film shows that a master who has been working for 40 years can still be relevant, interesting, and banned in the U.S.

Interview: Mike Judge from Extract

We had the pleasure of talking with Extract director Mike Judge. Mike talks about the possibility of a Office Space sequel, Jason Bateman, and what’s coming up for him. Check it out below!

DVD Review: Inglourious Basterds

The only director in history that can be associated with his style, with as little as a song, is back with his 6th big bang effort. What makes Quentin Tarantino’s newest film so divine isn’t the acting, it’s more the ten years prior, fueling his fire to make one of his dream projects…

DVD Review: Public Enemies

Michael Mann’s movies are some of the absolute best out there. He has a first-person style, with a grainy film quality, that contributes something to his films that no one else is able to capture. If you think about it, “Heat,” “Ali,” “Collateral,” and “Miami Vice” all had these similar badass attributes in common.